Desireè's passion for sculpture undoubtedly began during her final year of plastic arts studies at the Pietrasanta Art Institute. It was then that she came into contact with the Munari method, which had a profound impact on her, and that was the moment marble chose me.
After school, she decided to cultivate her "vocation," finding a path within a family where art had always been a central theme. Her first floral works posed a great challenge; although self-taught, she was determined to achieve extreme elegance and refinement, two essential elements for her idea of art, which she found only in Thorvaldsen's bas-reliefs.
Introducing roots into her creations, a profound element that indicates the essence of existence, the attachment to origins and the beginning of all things.
She loves marble and feels it is her element. She carefully follows all the phases of its development, from the rough draft or rough tessellation to the search for detail; because it is only with attention to detail that he feels he has completed his creation, not to imitate nature, but to nourish the sense of union and sharing he feels with it.